|
|
| Section 1: |
READING PEOPLE – AN
INTRODUCTION |
|
|
| Section 2: |
PERSONAL SPACE DEFINED |
|
|
| Section 3: |
STRATEGIES TO ESTABLISH
CLOSENESS |
|
ON INVITING WOMEN IN |
|
AVOIDING POWER PLAYS |
|
ON CORNERING |
|
HAPTIC COMMUNICATION
- TOUCH |
|
WHISPERING |
|
SIGNALING AND
TESTING |
|
TESTING CLOSENESS
WITH BODY PARTS |
|
OBJECTS AS SYMBOLIC
CLOSENESS |
|
BAD DAYS |
|
|
| Section 4: |
SIGNALS OF FEMALE DISINTEREST |
|
CROSSING AND
BLOCKING |
|
SHOWING THE TONGUE
THROUGH COMPRESSED LIPS |
|
FULL BODY STEEPLE |
|
ON FEMALE BOREDOM |
|
LEANING AND
PROXIMITY |
|
|
| Section 5: |
SIGNALS OF FEMALE INTEREST |
|
THE ROOM
ENCOMPASSING GLANCE |
|
THE PARADE |
|
ECHOING AND
MIRRORING |
|
POINTING ISN'T RUDE |
|
SHOWING INTEREST
THROUGH LEG CROSSING |
|
THE POINTING KNEE |
|
THE LEG TWINE |
|
PIGEON TOES |
|
THE HEAD TILT |
|
NECK TOUCHING |
|
SHOULDER SHRUGS |
|
ROTATION OF THE
PELVIS |
|
IT'S IN THE HAIR |
|
SHOWING WRIST |
|
GROOMING AND
PREENING |
|
HIKING THE SKIRT |
|
LAUGHING AND SMILING |
|
HER EYES |
|
EYE BLINK RATE |
|
THE FOREHEAD BOW |
|
THE TAP |
|
HER TEETH |
|
CHEWING RATE |
|
TOUCHING YOU |
|
THE PAT |
|
THE MOUTH |
|
CHILDLIKE
PLAYFULNESS |
|
PROXIMITY |
|
SKIN SENSITIVITY |
|
AVAILABLE WOMEN |
|
ONLY TOWARD YOU |
|
SHE WANTS TO DANCE |
|
THE RULE OF FOUR |
|
CONCLUSION |
|
|
| Section 6: |
USING BODY LANGUAGE TO GAIN THE
ADVANTAGE – A FOCUS ON MALE BODY LANGUAGE |
|
MAKING A GOOD
IMPRESSION THROUGH BODY LANGUAGE |
|
THE HUMAN ODOR |
|
WORKING ON YOUR
SELF-CONFIDENCE |
|
APPEARING RELAXED
AND CALM |
|
THE ANNOYING ALPHA |
|
RELAXED BODY
POSTURES |
|
KEEPING A POSITIVE
SPIRIT |
|
SLOWING YOUR SPEECH |
|
TONALITY |
|
THE POWER OF THE
SMILE |
|
EYE GAMES |
|
EYEBALL ASSAULT |
|
GAZING INSTEAD OF
STARING |
|
ONLY HAVING EYES FOR
HER |
|
THE PEEK-A-BOO GAME |
|
THE EYEBROW FLASH |
|
THE HEAD DROP |
|
HIDDEN MOUTH |
|
POINTING TO YOUR
CROTCH |
|
STEEPLING |
|
FULL BODY STEEPLE |
|
THE PLANES OF THE
EYES |
|
OPEN POSTURE –
OPEN MIND |
|
THE HANDSHAKE |
|
THE FIRST TOUCH |
|
SHE WANTS TO KISS |
|
STANDING TO AROUSE |
|
DISPLAYING STATUS |
|
TEASING AND OPPOSITE
BODY LANGUAGE |
|
BLOCKING |
|
BODY ROCKING |
|
TAKING UP SPACE |
|
PECKING FORWARD |
|
LOWERING YOUR DRINK |
|
OPENING PEOPLE |
|
CONCLUSION |
|
|
| Section 7: |
BODY LANGUAGE - A CONCLUSION |
|
|
|
Acknowledgements |
|
References |
